Tag. ai

Who is the voice actor of Totoro Mandarin?

Speaking of "Totoro", this old movie fan of mine can't help but want to talk about the Mandarin dubbing. When I first watched it on TV as a child, the voice of Xiao Yue was so gentle that it made people feel at ease, and then I found out that in the classic Taiwanese dubbed version, the voice of Xiao Yue was Ms. Wang Ruixin. She dubbed a number of animated characters, the voice is particularly affinity, you listen to her when she speaks that warm feeling, simply like a neighbor big sister in the storytelling. How about Xiao Mei? Is another voice actor with the name I do not remember clearly, but that kind of childish mischievous strength, with super in place, let a person look at it to think of their own little sister. The overall dubbing team is quite professional, the background sound effects are also handled delicately, and the winds and grasses all carry the flavor of life. However, the online version is a mess, and some of the pirated versions have changed the dubbing to a completely different look, which makes it very awkward to listen to.

Compare and contrast the free to watch versions

When it comes to watching Totoro for free, I have to start by complaining that it's not easy to find genuine resources! I've tried a few channels myself, and YouTube has people uploading clips, but the picture quality is so muddy it looks like a mosaic, and the dubbing is often a copycat version with a rustling sound quality that makes me cringe when I watch it. Netflix has the occasional Ghibli feature, but you have to subscribe to a membership, so it's not exactly free. There are some platforms like B-station, where users share "demo" versions with decent picture quality, but the dubbing may have been compressed, and Koyuki's voice lacks its original warmth. Pirated sites are even worse, with ads flying all over the place, half a day's buffering is not finished, and the computer is almost poisoned after watching an episode. In contrast, I recommend trying the free trial period of the official APP - for example, Disney + sometimes engage in activities, you can whore for a few days, high-definition picture with the original Mandarin dubbing, the experience is full. However, in the final analysis, to support the original is the king, save the toss.

While we're on the subject, a detail occurs to me: the subtitle treatment of different versions also affects the viewing experience. In some free versions, the subtitle is so hard to translate that they call "Totoro" instead of "Totoro", which is very awkward. The subtitles of the original dubbed version are much smoother, and with Wang Ruixin's voice, the emotion is expressed more naturally. All in all, when looking for resources, don't ruin your classic memories by trying to get it for free.

FAQ: Totoro Watch Frequently Asked Questions

Looking for the Chinese dubbed version of Totoro? My true experience of searching all over the net

Yesterday, a reader wrote to me and asked, \"Old Zhang, my daughter insisted on hearing the Taiwanese-accented version with Mei calling out to her \'sister\', where can I watch it now? \" This instantly brought me back to ten years ago - at that time, in order to find the genuine Chinese dubbed "Totoro", I had to pick up more than thirty pirate sites, and finally reinstalled the system in a site where the pop-up ads were bigger than the screen. Now I don't have to do that anymore.

First of all, a lesson in tears: do not go to search what \"Totoro Mandarin online watch free HD \". Last year I tested, the first three results are either false links with spinach ads or Macau casinos with a sheep's head selling dog meat. Seriously want to see, directly rushed B station. Yes, the same B-magazine that you swipe every day. Searching for "Totoro Chinese dub\" will take you directly to the official Ghibli account, where the 1988 Taiwan dubbed version and the 2001 CCTV version of the movie are lying.

Be warned, though, that the free version's picture quality looks like it's covered in a layer of hairy glass. I took my projector to rewrite it at 2am last Tuesday, and the part where the little chinchilla holds up a lotus leaf on a rainy night was so muddy that I almost thought it was holding up a rag. I really want to see the texture of the hair, 9.9 dollars to open a large membership can be unlocked 1080P, bite the bullet as less milk tea.

These are the hidden channels you may not know about

Love Qiyi and Tencent video actually have copyrights, but the hiding that is a deep. The last time I helped my neighbor's children to find, in the Tencent video search \ "Totoro \" the first to pop up is actually a flow of stars acting in a bad web drama. Later found to cut to the \ "film - animation - Ghibli \" three-level directory, like a treasure hunt. Here is the mainland dubbed version, for those who haven't heard it: Xiao Mei yells sister not in a soft \"Xie Xie~\", but in a proper voice \"Sis! \" with an exclamation point.

Note to cell phone party! Mango TV mobile often has limited freebies, which I casually swiped last month while squatting in the restroom. But don't expect the full version - the free episodes are like opening a blind box, today you can watch the first 30 minutes, tomorrow you might switch to the last 40 minutes, I suspect the operations editor himself can't figure out the scheduling logic.

Cold gossip about voice actors

Yang Xiaoli, the voice of Xiao Yue in the Taiwan version, is now a regular at the Golden Bell Awards. Once I caught her backstage at the Taipei Film Festival and asked her about voicing Totoro, she burst out laughing: \ "Recording Xiao Mei choking on corn, I was really choking on the halibut in the bento to the point where the director shouted cut and was still coughing! \" And the mainland version of the voice to the grass wall father Li Lihong, is later "tongue on the tip of China" that let people listen to the hungry narration.

The most extreme is the Taiwan version of the theme song singer Fan Xiao Xuan, when the record company felt that \ "Dou Dou Long \" is too childish to force her to use a stage name to release a movie. As a result, twenty years later, she suddenly sang the song during the concert encore, and the thirty-something fans on stage cried so much that their mascara was all smudged - something I witnessed with my own eyes, and I had goose bumps from my arms to my back.

Frequently Asked Questions

Note: Platform information in this article is updated through July 2024 and pricing strategies are subject to change. The early morning squatting limit is recommended with a cup of goji berry tea, after all, the old movie revisited is most likely to stay up with dark circles under the eyes.

When the voice of Sun Daisen drills into the studio: a chat about how the voice of Black Myth: Goku was made

The other day in my friend's studio tea, chatting about the recent screen "Black Myth: Wukong" trailer, my friend suddenly asked me: "Hey, you say that the monkey in this game that voice, listen to the really strong, feel the bones through the cracks of a wild, how did they come up with?" This question brought me back to the end of last year by chance to contact the behind-the-scenes drip. This thing, really not find a good voice to shout two voices so simple, inside the doorway deep it.

First of all, it's important to understand who this monkey is. He's not the familiar, somewhat mercenary and somewhat lovable Qi Tian Da Sheng from Journey to the West. Goku in Black Myths is more like a wounded beast, sharpened by age and betrayal. Voice director Lao K (as he's known in the industry) told me that before casting, the team was locked in a small dark room, discussing the finalized script and bits and pieces of the script, breaking it up and crumbling it down: is this monkey sad? Is it anger? Is it madness? Or is it utter nothingness? The voice has to carry his weight for 500 years. It's not about imitating anyone, it's about "becoming" him in that particular situation.

At the time of casting, it was said that the corridor outside the recording studio was full of people. Those who came were not nobodies, some had been cast in the classic movie and TV series Monkey King, some were veteran actors on the drama stage, and there was even a martial arts actor with a particularly good voice condition. Old K said, he does not look at the resume, just listen to the voice. Audition clip thief tricky, not a large section of lines, but some extreme emotions hissing, gasping, and even silence in the throat that kind of suppressed grunt. What he was looking for was not "like", but the kind of "animalistic" and "divine" undertones that come with the voice, as well as the ability to withstand a long time of hissing without splitting his throat.

The finalized teacher (we won't disclose who exactly), Old K slapped his thigh: "That's him! That gravelly feeling in his voice isn't a performance, it's natural!" It is said that in order to get into shape, this teacher began to "toss" himself around for half a year in advance, practicing martial arts, studying the movements of monkeys, and even deliberately drinking less water to keep his voice in a subtle "dryness" - not pathology, but the kind of thing that happens when you've been in a situation for a long time. -It's not a sickness, it's a kind of weathered coarseness.

When you're in the studio, that's the hard part. You think voice acting is just looking at the screen and opening your mouth? That's a big mistake. Many of the fight scenes in "Black Myth" are so fast and exaggerated that the voice actor has to imagine what it feels like to be smashed, burned, or struck by lightning, and synchronize his reactions. Old K and I imitated that scene: the actor wearing headphones, staring at the script or simple motion capture playback, suddenly have to burst out a muffled grunt of being hit by a golden rod in the abdomen, but also with the feeling of blood foam. An intense fight scene with down, the actor holding the wall out, covered in sweat, with a real fight no difference. What do recording engineers fear most? Not with the wrong words, is the actor is too committed, a fist smashed in the spray mask, or roar too hard to monitor the headset shocked whistle.

The details are outrageous. The monkeys jumped around in the mountains and fields, and the tiny sounds of clothes rubbing and armor clashing had to be recorded separately. The mimicry artist used all kinds of strange props: an old leather jacket to simulate the rubbing of leather, a set of rusty keys to imitate the locking armor, and even a wet towel wrapped around a stick to simulate the sound of the stick breaking in the air with a quick swing. In the fraction of a second that it takes for a monkey to land and turn around, a combination of "rustle-clack" sounds may be tweaked dozens of times by the sound-mimicry artist.

The hardest part is the state of "God". A monkey becomes a Buddha? A demon? Or something in between? At this point, K says, there are fewer lines, and it's all about breath and subtle changes in tone. The studio is scarily quiet, and the actor closes his eyes, looking for that kind of transcendence or sinking feeling of emptiness, the voice should float up, but also to sink down, can not have a "human" flavor. It is possible to record a whole day, just for those one or two phrases with echoes, as if from the ancient whispers, after recording the actor himself in a trance for half a day.

The sound mixing is even more metaphysical. Just a monkey's voice, in the open valley, closed cave, fierce battlefield, illusory spiritual realm, the hearing is completely different. The mixer has to use EQ (equalizer) and reverb plug-ins to "pinch" the sense of space layer by layer. The roar of a monster may have several layers of sound superimposed on it: the low roar of a wild animal, the distorted wail of metal, or even the weird low frequencies made by synthesizers, all of which are mixed together to create that kind of inhuman horror. What's the biggest fear? Too clean a sound! You have to intentionally add a "dirty" undercurrent to simulate the rough texture of the old legends that have been passed down by word of mouth.

So yeah, the next time you hear that wild and bleak hiss of a monkey in a game, don't just get all hot and bothered. Behind it is a room full of people who are almost paranoid: from understanding a broken soul, to burning themselves in front of a microphone, to building a whole world with the magic of sound. It's not something that is "matched", it's something that is "plucked" from the bones. In this job, technology alone is not enough, you have to have the heart, but also a little crazy.

About the Black Myth: Goku dub you may be curious about

Q1: Why don't you use the familiar voice actor of the TV version of the Monkey King?

A: It's a completely different direction! The TV version is an operatic, relatively bright rendition of the classic, closer to the familiar image of the public. The Goku of "Black Myth" is darker, more complex and heavier, requiring a new, more primitive impact and vicissitudes of voice temperament, more like an untamed master popping out of the stone. It's not a matter of who's good or who's bad, it's not the same "monkey" at all.

Q2: Why are the voices of the demons in the game so scary? Are they really human voices?

A: Most of the core demon lines are definitely dubbed by real people! The techniques are very specific though. The voice actor tries all sorts of ways of distorting the vocal cords (while protecting the voice), such as pinching the nose, squeezing the throat to vocalize, or incorporating special breathing patterns. A great deal of processing is then applied later: speed shifting, pitch shifting, overlaying animal growls or ambient sounds, and even modulating non-human frequencies with synthesizers. The final effect is to "alienate" the human voice so that you don't hear it as a human being, but with the emotion of speech.

Q3: Do voice actors need to know kung fu? How do you synchronize the voices during fights?

A: Knowing kung fu is certainly a plus, but not necessary. The key is strong imagination and body control. When recording, the actor may have a simple video reference of the movements in front of him, or the director may be guiding from the sidelines with verbal vehemence: "Quick! Heavy blow to the left! Dodge! Kicked off!" . The actor has to synchronize his or her body memory and emotions, imagining the point of force, in order to make realistic sounds of force, muffled grunts from the blow, and gasps. Sometimes they have to match their body movements to "move" themselves to find the sensation.

Q4: Are the environmental sound effects in the game (such as the wind blowing the leaves and the clash of weapons) also done by the voice-over team?

A: Strictly speaking, this belongs to the category of "Foley" and "Sound Design", which are closely cooperated with Voice Over, but with different division of labor. Under the same audio team, there will be a specialized Foley Artist responsible for recording physical sounds such as footsteps, clothing friction, props collision, etc., while the Sound Designer will be responsible for collecting, producing or synthesizing more complex environmental sounds, magical sound effects, and so on. Character voices focus on character lines and emotional vocalizations. The three are ultimately blended together by the sound mixer.

Q5: I heard that the dub was recorded in many versions, how did you finally decide which one to use?

A: Yes, important lines are often recorded dozens or even tens of times! The decision is mainly in the hands of the dubbing director, who will listen to it together with the creators of the game (director, screenwriter, etc.). They don't just listen to "is it right", they listen to "does it feel right". Sometimes a technically perfect recording may be passed over because it's "too refined" or "lacks a hint of emotion", and the final version chosen is often the one that hits the heart and best matches the character's soul state at the moment, even if it may have some minor flaws (such as a hint of authenticity). Even if it may have some minor flaws (such as a hint of real huskiness or wheezing). Artistic choices are subjective and critical.

Really free, tested and working stuff!

It's no use coming up with all that highfalutin stuff, we need to get down to earth. First.CapCutYes, it's the one that cuts videos! Don't underestimate it, its built-in "text read aloud" function is hidden quite deep, but the treasure ah. Select "featured pronouncer", inside the "Jianghu chivalrous" tone, with a bit of vicissitude of the hoarse strength, slightly adjust the speed and tone, with a Wukong narration or low roar of the battle, the flavor is quite correct! The key is the operation of the fool, cell phones and computers can be used, cut the video directly export audio, seamless. The disadvantage is that the style is limited, want to match a delicate female goblin? No way. But it wins in convenience, zero threshold.

The second one.Microsoft Azure Text to Speech (free amount)The sound of this thing is so natural that it blows away a lot of instruments. This thing is technically sound, and the naturalness of the voice is a few blocks away from many tools. Sign up for a Microsoft account, find Azure Cognitive Services, open the voice service (Speech), new users have a free quota, enough for you to play for a while. There are many choices of Chinese tones, "Yun Jian" (male), "Yun Yang" (male), "Xiao Xiao" (female) are good. Here's the kicker: it supports tweakinghairstyleYou can choose from "passionate", "sad", "tender", etc! You can choose from "emotional", "sad", "tender" and so on. A "sad" style for an old monkey reminiscing about the past will bring out the emotions. Disadvantages? It's a bit of a barrier for newcomers to the web, and you have to pay when your free credit runs out, but it's definitely good enough for practicing at first and making little clips.

Third.ElevenLabs (free basic models)This dude's been on fire lately. This guy has been on fire lately, and his AI clone sounds great. Although its free plan is very restrictive (a certain number of characters per month, only the basic model), but the basic model of the "multilingual V1" performance is quite good. You write English scripts, it can be read out in a quite natural Chinese accent (with a bit of foreign accent, but with a different flavor), or you directly lose Chinese, the effect is not bad, the key is that theemotional ups and downsStronger than regular TTS. Good for dubbing some dramatic lines, like the mysterious whispers of the Landlord. Sign up and it works, web page operation, save your free credits and do a character key line that stands out.

Fourth.Audacity. This isn't AI dubbing, it's the granddaddy of recording and post-processing! Completely free and open source. You record with your own voice (cell phone headset microphone is fine) and use it to fix it after recording. Noise reduction (a must!) , adjust the EQ (to make the sound thicker or brighter), add reverb (to simulate the ambient sound of caves and halls), variable speed and variable tuning (want to match the goblin's shrill voice? Just drop the key). It's like your all-purpose toolbox, taking the previous AI-generated sounds or your own dry sounds and polishing them up to sound like that. The learning curve is a bit steep, so search for tutorials on B-site and you'll be up and running with the basics in half an hour.

Don't just rely on tools, these tips will make your voiceover more "black mythic".

Tools are dead, people are alive. Want to match a little "Black Myth" that dark, coarse and a little fatalistic tone, just point to generate the button can not.

The lines have to be "worked on.": The lines in the game are written in white and have an ancient flavor. When they are generated directly in the vernacular, the flavor is not right. Try changing "I'm leaving" to "I'm going", "why" to "why", and add some "Before AI generation, touch up the script by yourself, you will get twice the result with half the effort.

Emotion is the soul.: Even the best AI has limited emotional expression. That's where Audacity comes in. For example, an angry "seek death!" If you don't think it's tough enough, use Audacity to raise the pitch and speed up the words. Use Audacity to pull up the pitch a little bit, speed up the speech, and then add some slight distortion effect (careful not to add too much), the ruthlessness will come out. Sad lines, you can slightly slow down the speed of speech, add some sighs of air (record some of their own air mixed in).

Ambient sound is a godsend for atmosphere: Dry voiceovers thrown into gameplay footage are also abrupt. With cutscenes or Audacity, lay a very faint layer of voiceover underneath theambient sound-- The sound of wind, the faint sound of weapons clashing, the sound of temple bells, the sound of flames crackling. Search online for "free ambient sound effects", a bunch of resources. Turn down the volume, if there is nothing, the sense of atmosphere is instantly full. Wukong monologue in the broken temple, the background with a little wood burning sound, the feeling is right.

Don't ignore the "air gaps" and pauses.: AI generation is prone to a stream of balderdash. Real speech breathes and pauses. Take the generated long sentences and put them in an editing program (Cutscene or Audacity)manual cutting, in commas, periods, or where emphasis is needed.Insertion of a silent gap of fractions of a second.. Mimicking the rhythm of a real person's speech can make the voiceover much more vivid. Think of Wukong saying "I, Lao Sun... Five hundred years ago..." The pause in the middle!

The "Pro" Tips for Free Players

Just because we don't have professional equipment doesn't mean we can't pursue better results.

recording environment earthwork: Find the smallest room in the house (like a closet!) ), hang quilts and thick clothes all around it, and people get in there and record. The effect is comparable to a humble recording studio, can suck out a lot of nasty echo and noise. It works, but it's a bit muffled. When recording on a cell phone, use your hand around the microphone a little, can also reduce the spraying of wheat and some ambient noise.

EQ tuning without asking for itAudacity's EQ (Equalizer) looks complicated, remember a few key points: feel the sound boring in the200Hz-500HzPull it down a little bit around the same time; feel that the sound is thin and harsh in the2kHz-5kHzPull it down a little bit; to make it sound thicker and more powerful (for Goku), add a little more power to the100HzThe neighborhood is slightly elevated a little bit. Tune a little bit at a time, listening as you tune and your ears take in the goods!

Make good use of "noise samples"Audacity's noise reduction feature requires you to "get a noise sample" first. This is to record a background sound in your room (empty recording for a few seconds), and then let it eliminate similar noise in the whole recording based on this sample, which is much more effective than turning on the noise reduction directly, and the sound is less distorted.

The free sound library has your back!: In addition to ambient sounds, the wind of fists in a fight, the cracking sound of a golden rod being swung, the hissing of a demon, all of these can be heard in the Freesound.org Find free resources on these types of sites. Handpicked and layered, your voiceover clips will instantly be fleshed out and more "cinematic".

The most important thing is to have fun.

In the end, we use free tools to dub for Black Myth, just to have fun and express our love for the game. Don't be limited by the tools, try boldly, use your own voice to interpret the character in your heart, even if the dubbing is not "professional" enough, the love and creativity is the most precious thing. Listen to the original game soundtracks, feel the tone and rhythm of the characters, and leave the rest to your passion and these free little helpers!

You may also want to ask

Q: Can the sounds dubbed from these free tools be used directly in the Black Myth II Creation video I made myself to send out the platform? Will it be a copyright infringement?

Q: I tried Microsoft Azure, but I feel the voice is still a bit "robotic" and not emotional enough, what should I do?

A: Robotic rawness is a common problem. In addition to the aforementioned modulation of speech rate, pitch, and style, the key to theScript splitting and post. Don't let the AI read long sentences! Split a sentence into several phrases or even words generated separately, and then manually adjust them in Audacity between theintervals, volume levels (emphasized words are read louder), and even intonation subtleties(end note goes up or down slightly). Fold in a little more very, very slightreverberation(Choose a small room or plate reverb), which simulates a sense of real space and can dramatically improve naturalness. Spend more time on post splicing and fine tuning, the effect improvement is obvious.

Q: How can I record in my own voice to imitate Goku's voice? It doesn't sound like me even when I'm hoarse!

Q: What should I do if I feel the sound is muffled or there is a strange buzzing sound after Audacity noise reduction?

Q: Are there any free tools that can change voices in real time so I can match them as I play like in the game?

A: Real-time, effective, free... It's really hard to find one that fulfills all three at the same time. Some voice changing software (such as Voicemod free version) can change in real time, but there are fewer free tones, and the effect is cartoonish or e-sports style, which may be almost interesting with Black Myth. Another idea: useVirtual Audio Cable (VB-Cable such free tools) Input both the game sound and your mic sound into OBS Studio (free live streaming software), add realtime filters (like VST plugins, some free basic effects) to your mic sound in OBS, pitch shift, add reverb, etc., and output. This option is a toss-up, and latency could be an issue. Want to play in real time, you may have to lower your effect expectations a bit for now, or... It's fun to just howl and play by yourself!

It's not that hard to be a Qi Tian Da Sheng, Goku dubbing practical tips

A few days ago, I stayed up all night to finish the first chapter of "Black Myth", and all I could think of was the monkey's untamed accent, so my hands were itching, and I turned out the microphone to give it a try. Seriously, to the Monkey King dubbing this thing, at first glance, the threshold is quite high, but think through the actually have the way. Online those who do not move to let you pay money to buy a professional sound card tutorials, take a look at it, we ordinary people with the computer comes with a microphone, as usual, can play out a little fun.

I've done a lot of dubbing projects and found that the most critical thing is not how advanced the equipment is, but whether you can capture the character's "strength". Wukong's voice is a wild and untamed monkey, mixed with a bit of hoarseness, and occasionally a bit of mischievous naughtiness, but the underlying color is always the dominance of the heavens and the earth. Figure out this point, the tool is just to help you amplify the characteristics of the helper.

Ringing in the bell without spending money: three really free tools

Don't be fooled by software that says "free" and then locks you out of features, these three are the ones I've actually used for a long time:

1. Audacity (essential for basic recording): The old open source software, look at the interface retro point, but noise reduction, cutting, volume adjustment of these core functions of a group of stable. The point is that it is completely free without internal purchase! After recording the first step, use it to the environment of the buzzing, breathing sound processing out, the sound immediately clean a lot. Remember to export to .wav format for less loss of sound quality.

2. Voicemod (real-time voice changer)Voicemod's free mode is a great way to experience the Monkey King's voice in real time. There are a few "Monster" or "Giant" presets in there, turn down the pitch a bit and add some "Reverb" to simulate the echo of a cave. The flavor will come out. If you're playing a game, teasing your friends, or recording a voice-over to get a feel for it, it's especially fun to use it for real-time monitoring.

3. Screen Cut for PC (Hidden Speech Synthesizer): Didn't expect that, did you? There are several distinctive male voices hidden in the text-to-speech of the clips. Find the "Dialect" or "Special Pronunciator" category, there is a relatively thick tone with a bit of Jianghu qi (the specific name may be updated, try listening to a few more), slow down the speed of speech, add a bit of "intensity", when reading lines, adjust the text breaks shorter and more powerful, the synthesized effect is unexpectedly close to the game in the game. ", read the lines of the text breaks to adjust the short powerful point, synthesized out of the effect unexpectedly close to the game Goku that kind of low staccato sense of speech, suitable for voice-over supplement.

Imitating Goku's voice? Capture the soul of these points

The tools are just amplifiers; the soul of the sound has to be performed by you. After practicing for a few days, I figured out a few key techniques:

The breath goes down, the voice goes up.: Don't yell at the top of your lungs. Imagine the sound coming from the dantian (under the stomach), with the breath pressed down and stabilized, but with the point of impact of the sound raised up, on the palate or even at the back of the nose. Try saying "I am coming!" quickly. The emphasis is on the sudden rise of the word "Sun", with a bit of a tearing sensation, but don't really shout.

"Friction" for hoarseness.: It's not a mute in the sense of smoking a cigarette and breaking your voice. Try making your vocal cords not close all the way when pronouncing vowels (a, o, e) to create a grainy, fricative sound. This is especially true for words at the end of a sentence, like the "also" in "Go!" can have a rustle in the end to make it sound like it's going through the motions.

Rhythm is the soul.: The monkey's rate of speech is variable. Normally, he may speak in a lazy, drawn-out manner, but when it comes to declaring a battle or shouting in anger, he explodes in an instant, with words that sound like gold and iron, and with short, sharp pauses. Try "Boring!" The first two words are fast and furious, and then the word "up" suddenly stops with an impatient nasal sound.

Don't forget the monkey details.These are the little details that can bring a sound to life instantly. Think of all those subtle movements a monkey makes when he scratches his ears.

Don't apply the dialect.The accent of Wukong in the game is a unique interpretation, not a standard local dialect. Focus on biting the words a little "grippy", especially the rhyming vowel, such as "master" of the "father", do not be too word-perfect, can be a little to "fuo "But don't overdo it, it's only flavorful when you get to the point.

I just started to record, I was embarrassed to hear myself, record a few times to playback, compared to the original sound of the game to find the gap, slowly find the feeling. Once in the middle of the night to record a section of the monkey king angry hissing, the neighbors almost came to knock on the door, thought I was fighting at home... If you want to play dubbing, you have to have thicker skin!

You might have asked:

Don't put too much pressure on yourself when it comes to dubbing. The key is to be interested, dare to open your mouth to imitate, and enjoy the process of playing the Great Sage of Qi Tian Da Sheng. It doesn't matter if the equipment is simple, but if you can capture the "monkey's charm", it will work better than any advanced sound card. Try it, you may roar out "Eat my old grandson's stick!" It's a lot more emotional than you think!

Lai Shen this voice, free tools can match a few flavors?

Playing voice-over was purely an accident. In the past, I always thought it was a professional studio, expensive equipment to do the job. Until once I cut a video, I wanted to add some lines to the role of Lai Shen, and after looking around, I found that the price of professional dubbing directly discouraged me from doing it. So, I did it myself! Tossed a small half a year, the microphone are disk out of oil, but also really feel out a little doorway, especially those who do not spend money on the baby tools, today I talk about it from the bottom of my heart.

Just to be clear, don't expect free tools to produce the results of a million tuners. Our goal is:Low-cost, listenable, and with the flavor of Ri Shannon.. There are just two points at the core:Vocal proximity + emotional holdThe tone of Ri Shen's low and steady voice with a little bit of detachment. Lai Shen's low and steady with a little detached tone, can not catch this charm, even the best equipment is useless.

Free stuff that's been tried and tested with real money.

1. Recording base: Audacity (the old man, the real one)

This thing is old enough, the interface is a retro style, the first time I opened I was almost dissuaded. But it can't help that it's free and open source with no ads, and it's full-featured! Recording dry sound is the basic operation, the key it can do a lot of fine processing. For example, Lai Shen often speak with the kind of subtle pause and gas sound, with its noise reduction and compression features, can maximize the retention of these details, will not be pressed into the sound of a dry robot. There are so many export formats that it's hard to miss, and compatibility is no match for it. The downside? It takes a bit of patience to get started, and there are a bunch of online tutorials to chew on for half an hour before you can get to work. Remember.The dry notes are recorded cleanly so that there's a play behind them.

2. Online synthesis to the rescue: TTSMaker (the straw that breaks the camel's back)

Who hasn't had a microphone strike or a noisy marketplace? That's where online text-to-speech is a lifesaver, and TTSMaker's free credits are enough for newbies to ooh and aah. Here's the kicker! Its "Chinese (Mandarin)" voice library has a few options for male voices that are on the lower end of the scale.Adjust the speed of speech by slowing down, adding pauses, and lowering the pitch a little.It can barely make up a "bass" frame, and it's okay to have a narrator or a short sentence in case of emergency. Don't expect much emotion, it's just a heartless reading machine, but it's convenient and quick, and can be operated by cell phone.

3. Voice.ai (community modeling is interesting)

This is the one that has been playing around a bit lately. Strictly speaking its core function is AI voice conversion, and the free version is good enough. The fun part of it lies in the various voice model libraries uploaded by users. I've searched for "low male voice" and "mature male voice", and some people have actually trained some similar models (of course, the copyright issue is a matter of your own judgment).real time voice changeThe function is the most practical, you speak into the microphone, headphones in real time to hear the effect after the change of voice, adjust the huge intuitive. I've tried to use it to imitate the chest resonance of Lai Shen's voice, and it takes a bit of effort to adjust the parameters, but if you do it right, you can really fool the unfamiliar passersby. Note that network latency may affect the experience, but local operation is much smoother.

4. The gospel of the cell phone party: the phone comes with a recorder + simple editing APP

Don't look down on cell phones! The recording quality of flagships is really not bad these days. Find a quiet nest, the phone with a book or bracket fixed, about a fist away from the mouth (anti-microphone), start recording! Recorded with the cell phone's own editing function or "cut screen" such free APP, cut out the waste film, add some basic reverb (choose "room" or "small hall" effect, do not open too big, otherwise KTV), can also produce a usable dry sound.The key is convenience, and inspiration can be recorded anytime you pull out your cell phone.

Don't step on the pitfalls of newbies, here's the blood and tears experience

Microphone metaphysics? A hundred dollars is enough! Don't be fooled by the parameters at the beginning. I've used a $99 lavalier mic (had to add a windproof sweater) and a $200+ USB condenser mic (had to have a simple stand to protect it from vibration), and the dry sound I recorded was perfectly adequate for playing in an amateur player's home.Quiet environments are a hundred times more important than sky-high microphones! Close the windows, avoid the refrigerator and air conditioner, or even hang a bed of thick quilts to absorb the sound, and the effect is immediate.

Emotion is the soul, imitation is the shortcut. Lai Shen's line book was turned over and he listened to the original voice over and over again! Not just listening to the words, listening to where he pauses, where he sighs, where his breath intensifies. When you dub it yourself.I don't care what it looks like, I just dislike it... Anger, coldness, occasional flashes of concern, these emotions are there, even with a normal vocal line, are better than a dry imitation of a shell vocal tone. Listen back to yourself after you record it and feel awkward just a few more times to get used to it.

Don't be greedy in the later stages, cleanliness is most important. The most common mistakes made by novices: noise reduction is pulled full (the sound becomes a microphone sound), reverb is added vigorously (transformed into a bathroom singer), and the EQ is messed up (the sound is distorted).Just record cleanly in the front and fine tune it in the back. Focus on the obvious sputtering sounds, breathing murmurs, and unify the volume a bit. All those fancy effects, play with them when the foundation is solid.

Thick skin is a must. Send the work out! Throw it out to your friends, send it out to relevant communities (be aware of the platform rules), and it's a hundred times better to get a little flack than to get high. When people say "the mood here is wrong" or "it sounds like a cold", it's golden feedback. Ri Shen's fans are very sensitive to sound, and their opinions are worth a lot of money.

In the end, free tools are bricks on the door, how far you can knock the door open depends on how much effort you are willing to put into listening, practicing and imitating. The unique charm of Li Shen's voice can't be copied by machines for the time being, but let's use a little ingenuity to match our own understanding with these non-expensive tools and have fun, isn't it good?

You might ask this about the Lai Sham dub.

With a voice like Black Goku's, it's really not hard to get the whole thing for free!

Hey, that wild and evil voice of Black Goku, whoever listens to it goes to their head right? Recently, I've heard a lot of people asking if they can do this kind of dubbing to spice up their Futurama videos, or just role-playing. Let me tell you, it's really not as mysterious as you think, the key is to know the way, and! You don't have to spend a dime to get a seven or eight point likeness! Don't let the payware scare you, I've been doing this for a long time, and I can still get work done with free stuff.

Let's start with the tools, don't just come up with the idea of buying this or that. Chances are there's an overlooked gem on your computer-AudacityThis thing is open source and free. This thing is open source and free, old to the core but definitely hardcore. Recording your dry sound is the foundation, the focus is on its pile of effects. Doesn't Black Goku have a low voice? Don't be stupid and just lower your voice, it won't last more than three sentences. Use it."pitch change"That effect, drop it a little bit that way and work with it."equalizer"Push the low frequency (such as 80Hz-250Hz piece) a little push, the middle and high frequency (1kHz-4kHz) pressure darker, that thick, a little smothered in the chest cavity of the bottom will come out. Remember not to drop the amplitude too much, otherwise it sounds like a slow playback, a thief false.

It's not just the bass, it's the "evil spirit" that's the soul.

What's the best thing about Black Goku? It's that low growl with a metallic friction-like tearing sensation, and the faint echo of demonic energy. Free tools can also be organized!(signal) distortion"or"overloaded"Effect.Add a little more.Don't be heavy-handed! Don't be heavy-handed, the purpose is to simulate the kind of gravel and burr produced when the vocal cords are squeezed extremely hard, not to make you become a gong voice. Tuning when the ears up, feel like his throat is stuck in a piece of red-hot iron, hissing smoke that kind of feeling on the right.

The sense of environment is also super important. Think about it... the Waterfall Cave in the Mountain of Flowers and Fruits, or the eerie hell, can he speak without some echo?reverberation" (Reverb) is what does it. Pick something like "cubicles"or"Small space caves"Presuppositions.Turn down the decay time a bit.Don't make the church choir that kind of grand echo, you want that kind of fast reflection between the stone walls a few times to disappear, damp and cold short reverb, increase the sense of spatial realism. There are some free plug-ins on the Internet, special simulation of "cave", "metal pipe" effect, search, under the back to hang up and try, sometimes with strange effects.

Voice mimicry: position, breath, and that "madness."

Tools are dead, people are alive. If you want to imitate like, you can't rely on post alone, you have to catch the position and feeling of your voice. Where does Black Goku's voice feel like? Definitely not the eye of the throat! Try to put the vocalization pointSink down and press into the chest or even lower into the back of the back of the back of the back of the back of the back of the back of the back of the back of the back of the neck that. Imagine you're holding back a flood of energy, and the sound is coming from the dantian up and against your throat with a forcefully suppressed outburst.

Breath is the key of keys. He is not pontificating, he isShort, forceful pauses with a hint of disdain. Try taking a small, quick breath into your abdomen before you say the word, and push it out violently with your abdominal muscles as you speak, especially emphasizing the word at the end of the word, like you're smashing it out. For example."Desmond (name)--The word "Sun", the breath has to stop suddenly, with a screechy, vicious end. Listen to the game's soundtrack, and pay attention to his sneers, snickers, and nasal grunts, which are the essence of these little details.

How do you play "crazy"? Not by yelling. It's a kind ofThe lassitude of condescension mixed with the violence of being offended.. Try lifting your chin slightly (physically doing this can really affect your vocalization), with a nasal tone, and speak half a beat slower, especially when provocative or dismissive, with a little bit of a lengthening of the tail end, and then a sudden stop. Remember, he thinks he's invincible, and speaks with an undercurrent of "who do you think you are?

Recording environment? Don't be afraid to be shabby!

It's too normal to not have a professional recording studio at home.Close the window, block the doorway, hide in the closet! Yes, you read that right, a closet full of clothes makes a great makeshift recording studio, with the clothes sucking out most of the pesky echoes and noises. Cell phone recording? Yes, but it's best to use the microphone that comes with the headset, or buy a few dollars of lavalier microphone, which is much better than the microphone that comes with the phone. Record your mouth about a fist away from the microphone, do not be too close to spraying the microphone, and not too far away from the sound of the virtual. Use a quilt or thick blanket to wrap yourself and the back of the microphone, the effect is instant.

The last step, synthesize! Take the dry voice of your dub, process the effects, and overlay it with ambient sound effects taken from the game (wind, water drops, weapon collisions, etc., be careful of copyrights, it's usually fine for your own use, don't use it commercially), and put it together in Cutscene, Must Cut, or even Audacity itself. Tweak the volume balance so that your voiceover is clear but not overpowering in the ambient sound, and you're good to go!

Honestly, it might sound a little weird the first time you mess with it, don't get discouraged. Record a few more times, listen to the original sound for comparison, and try your best when adjusting the parameters of the effects. The tools are there, the technique is also told to you, the rest depends on whether you are willing to put some effort to "realize" the feeling. Remember, the core of imitation is to capture the "charm", not the pursuit of 100% reproduction. Play up, enjoy the process, and create your own flavor of "Black Goku" is the most exciting!

Black Goku Dubbing Frequently Asked Questions (FAQ)

Lai Shen's voice can't be mimicked by just grabbing a tool.

To be honest, the first time I heard Lai Shen's voice, I knew that this job was not simple. It's not the kind that can be made by fooling around with a voice changer, it has a special flavor, a coldness that hides a little bit of pressed strength, and the speech is not fast, but every word seems to have weight, smashing into your heart. Want to match that tone? Enthusiasm alone is not enough, you have to feel the right way, but also need to have the right tools.

I've tossed and turned quite a few times myself. At first, I foolishly used my cell phone to record directly, the air conditioning sound in the background, the dog barking downstairs, and the sound came out thin and fluffy, a hundred thousand miles away from that sense of calm. Later, I realized that for a character like Li Shen.Quiet environment is the first hurdle. Really no professional recording studio? Find a large closet to drill into, hang a few thick clothes to absorb the sound, the effect is better than in the living room, really, tested and effective.

Here's the kicker.Sound texture is at the core. Ri Shen didn't do it by yelling or playing it cool, he had that low, grainy magnetism. How does an ordinary person get close to that feeling?When speaking in a lowered voice, try to let your larynx relax and feel your voice come out from deep in your chest instead of getting stuck in your throatPractice. Practice and find that "sinking" point. Don't try to hold it in, it's a eunuch's voice, not a deep voice! When recording, get a little closer to the microphone (be careful not to spray the microphone), so you can capture more low-frequency details.

As for intonation and rhythm.The essence is in the "take" not in the "put".. He's not a talker, and his lines tend to be refined. Try this, get a line and read it in your mind a few times first, figuring out why he's saying it and who he's saying it to. Is it a warning? Is it a statement? Or is it a hidden concern?Label the accents and pauses.He was a man of the world. He often speaks the first few words smoothly, slightly heavier or elongated a little bit at the key point, and then simply and clearly end, leaving a bit of rhyme. Listen more to the original voice, not to hear a loud, is to listen to the "air mouth" and "white space".

Free tools? Don't get screwed and don't underestimate them

I know, a lot of people come up and ask, "Is there a free tool that works?" Truth be told, it's hard to get professional-grade results in one step with a free tool, butThere's no better way to get started and make decent practice pieces!, the key depends on how you use it.

Recording and basic processing:

Don't look down on cell phones! Cell phone recording quality isn't that bad these days (especially the newer models). The point is.Just find a quiet place and use your voice memo or recorder.When recording, hold your cell phone steady. Recorded when the phone held steady, the mouth is not directly in front of the microphone hole (easy to spray microphone), oblique about 45 degrees, the distance from a fist to two fists. Recorded exported to the computer processing. The computer side of the free bearer is absolutely AudacityThis thing is open source and free. This thing is open source, free, and ridiculously powerful. Use it to do a few things: "Noise Reduction" the subtle current sound in the background, bottom noise (Effect - Noise Reduction, first capture the noise sample and then apply it); feel the sound is thin? Add some "Bass Boost" (Effect - Bass Boost); Volume too low or too high? Adjust the volume too low or too loud with "Increase" or "Compressor" to the right level (don't make it pop). These operations online search "Audacity Beginner" a bunch of tutorials, looks complicated, hands-on a few times will be familiar.

Voice adjustments (leaning toward Ri Shen):

That's the hard part. Want a free tune tune?MorphVOX Junior You can try it. The free version has limited functionality, but the basics are sufficient. Focus on the "Pitch".Pull down a little bit., make the sound lower (Caution! Don't pull too much, or it will become a monster). Then adjust the "Resonance Peak" (Formant), this parameter is very critical, it affects the "texture" of the sound.Try to fine-tune the sound to find the point where it sounds thicker and more "real".. Don't expect to change the depth of your voice at the touch of a button, it's just an aid to give you a feel for the possibilities of sound change.

Another thought is to use Voicemod The free version of. It has more real-time voice changes to play games, but it also has a recording function. It has presets like "Deep Voice", "Smooth Operator", and so on.It can be used as a reference to hear the effect and then manually fine-tune the EQ (equalizer) it provides, such as attenuating the high frequencies a bit (to make the sound less shrill) and boosting the low and mid frequencies appropriately (to add thickness and warmth). Again, it's all about aiding the feeling.

Atmospheric rendering (a plus):

Ri Shen's lines often carry a bit of a scene, empty, or a bit of an echo.You can simulate it with Audacity.In the "Effects" section, find "Reverb" and select "Hall" or "Room"! In Effects, find Reverb, select a Hall or Room preset, and then select the Reverb preset. "Room preset.Turn the "dry" (original) ratio up and the "wet" (effect) ratio very, very low., probably 10%-15% would be enough. The goal is to create a little bit of spaciousness, so that the sound doesn't sound dry and plastered to your ears, but a little bit of distance and ambience, butWe can't let this become a bathhouse conversation.! It's a matter of getting this right and trying a few more times.

Tips for getting started: Don't just practice, steal from the masters.

Tools are just tools.It's the ears and the brain that count.. My stupid way is:

3. Make good use of the "compare" function of free tools: Record it again with MorphVOX or Voicemod with slight adjustments, then put it with the original and with your own unadjusted recording and listen to it.It's not about striving for the exact same thing, it's about understanding what parameters the tool tweaks to make a difference in the sound. That way you know where to move if you want it lower, and what to tune if you want it thicker. With more practice, your ears get tricky.

The upper limit of free tools is right there, if you want to achieve commercial-grade dubbing or high level of reproduction, professional sound cards, microphones, software (e.g. Adobe Audition, Cubase) and even post-production fine-tuning are not to be bypassed. But as a hobby to start, practicing vocal skills, understanding the characterization, the use of free tools is completely enough, but also can make quite a bluff sample. The key is to try, listen, compare and tune. Lai Shen that voice is worn out, the process of imitating him is also the process of polishing their own ears and ability to express themselves. Kitchen closet recording studio, can also produce a good show!

Frequently Asked Questions about Lai Shum's Voiceover (Tell us the truth)

Q: I have a naturally thin/high voice, does that mean I won't be able to match a subwoofer like Ri Shen?

A: Don't be discouraged! There is indeed a difference in range, butImitating the essence is more importantThe focus is on the "calmness", "restraint" and inner "power" of his tone. Focus on his tone of "sense of calm", "sense of restraint" and the inner "sense of power", through the speed of speech, pauses, accents, breath control to express, rather than simply the pursuit of physical It is more effective to use a tool to lower the pitch a little. It's okay to use a tool to depress the pitch a little, but don't overdo it.It's more important to express the character than to sound exactly the same.The

Q: The free noise reduction tool always works poorly, and there is still rustling in the background, what should I do?

A: Audacity noise reduction is entry level and has limited results.The most fundamental solution is to address the source - environmental noise. Record in the dead of night, or like I said, drill a closet/surround a small space with a thick blanket. If you can't, try taking a few more noise samples in Audacity, or apply noise reduction in segments (only process the parts where the noise is noticeable). Another trick is to record a section of pure ambient noise (no talking) and then overlay a little bit of it on your recording (with the volume turned down very low), which can sometimes "neutralize" it a little bit, but it takes a little bit of luck and experimentation.

Q: I always feel that my voice is fake and electronic when I use voice changing software, how can I break it?

A: This is a common problem with free real-time voice changers.The secret is "fine-tuning" and "blending.".. First, the variant parameters (pitch, resonance peaks, etc.)Adjustments must be small! Secondly.Don't rely entirely on voice-altering effects.. The sound processed with a voice changer, and your original recording (well processed in Audacity for noise reduction and other basics)Proportionate mixingThe first is to change your voice to a more natural sound. For example, the ratio of 30%-50% after the voice change, the ratio of 70%-50% of your original voice, so that you can retain the natural qualities of your voice, and only let the voice change effect to play the role of "flavor", the false electronic flavor will be greatly reduced. Try more mixing ratios.

Q: I feel like my recorded dry voice is just so emotionless, how do I practice?

A:Understanding characters and lines is fundamental. Why did Ri Shen say that? What is his mood at this moment? What emotions are hidden under the surface calmness? To whom is he saying it? Think these through. Then.Try to "be" him., imagine yourself to be him, in that situation. Take a deep breath before recording and allow yourself to settle down.You don't have to deliberately "play" low, but find a state of "speaking from the inside out".. Practice a lot, listen to your own recordings for problems, and slowly the feeling will come. It also helps to practice your expressions and eyes in the mirror!

Q: I want to try more complex post, such as adding ambient sounds (wind, rain), what free resources do you recommend?

A:Freesound.org It's a treasure trove! A large number of free sound effects uploaded by users, the quality varies, but you can find treasures if you look hard enough. Search for keywords like "wind gentle", "rain light", "room tone" and so on. Download it, import it into Audacity, and put it under your dub track.Turn down the volume of the ambient sound so low that it's almost inaudible but feels like it's there, that's what sets the mood, don't let it steal the show. Pay attention to the copyright notice and pick one that allows commercial use (CC0 or CC BY).

Want to have a voice like a warbler? I've been thinking about it for years.

To be honest, the first time I heard someone use the term "yellow warbler" to describe a voiceover, what popped into my head was that crisp, jumping, dewy chirp in the woods in the early morning, which is especially catchy and natural. At that time, I thought, "How can a human voice imitate that kind of dynamic energy? By having a good voice? Later, I thought about it by myself, plus I stole lessons from some professional teachers, and I found that there is a way, and the key is that it doesn't cost any money! Today, I'm going to talk to you about the three free techniques that I've tried and found to be the most useful, purely by practicing.

At the beginning, I thought it would be fine to pull out my voice and pull out the high notes, but when I listened to the recording, it sounded like a cockerel with its neck pinched, sharp and dry, not related to the "dynamic" sound. Only later did I understand that the yellow warbler's call is moving, not in how high the sound, but in the sound of the "elasticity" and "sense of vitality", like a small droplet of water rolling around on the tip of the leaf, at any time to drop and did not fall feeling.

Tip 1: Don't rush to "sing", learn to "tremble" first.

You listen carefully to the real bird song, especially the yellow warbler kind, its sound is not a straight line soaring up, in the middle of a very, very subtle, rapid tremor, not shake the sound of the kind of deliberate tremor ah, is the natural relaxation of the vocal folds produced by the kind of tiny ripples. This thing is called "microfibrillation", is the key to sound "live".

How do you find this feeling? I have an earthy solution: relax! Completely relax your jaw, the base of your tongue, and the muscles on the sides of your neck. Imagine you've just woken up from a long, lazy yawn, and right in the middle of that "ah-", try to give your voice a few gentle, quick "jiggles", and keep them small! small! It will feel like the sound is riding on a very, very small spring. You may not be able to find it at first, but don't worry, try it a few more times, focusing on "relaxed" and "tiny". Record it and listen to it, and adjust it a little bit, until that natural "water ripple" feeling comes out.

Hey, hold on. I know you're asking, "What's this got to do with dubbing?" It has a lot to do with it! When you read a normal voice-over, like "The sunlight poured over the windowsill," and you put a little bit of this natural "shiver" in the word "poured" or "poured," the whole sentence immediately comes to life. "The whole sentence comes to life immediately and doesn't just sit there.

Tip 2: Carry your voice to the center of your eyebrow, don't get it stuck in your throat!

Many people speak, especially when trying to imitate a good sound, easy to unconsciously "pressure" voice, voice muffled underneath, sounds heavy, heavy, and even a little "oil", and the yellow warbler's crisp translucent completely contrary. You need to "lift" the vocal position upwards.

Imagine a yellow warbler's call coming down from high in the treetops, bright and clear. Let's imitate this "sense of place". Try this: Gently place a finger on the upper part of your eyebrow (the legendary "mask resonance" area). Then, gently hum a "hmmm~~~" through your nose, a little higher in pitch, and feel the vibration buzzing right where your finger is pointing. Find that feeling!

Then, holding this vibratory position, slowly shift from "uh" to "eek--" and then to "ah--". -". Remember, the sound feels like it's being "sent" upwards, like a light thread being thrown from the center of the brow, rather than swirling in the throat or falling downwards. When reciting words, especially those that end with a rise or need to express a light mood, deliberately "hanging" your voice at this high level will have an immediate effect. At first, your voice may sound a bit "fake" or "thin", so practice more and find that balance of high and natural.

Tip 3: Learn to "steal air" from birds, breath is the soul!

Why are bird calls so animated and non-tiring? Have you ever observed that a bird's call is a small series of small series, with a very short, almost imperceptible pause in the middle to change breath. The big taboo when we dub is dragging out a breath for a long time, and the sound gets weaker and weaker as it goes on, and the spirit of the voice is completely lost. The essence of yellow warbler dubbing lies in "short and powerful" and "flexible breath changes".

To practice this, don't worry about the content, just practice "stealing breath". Find a passage, not a long one, just a sentence or two. When you read it, deliberately break the sentence into smaller clusters, and at the end of each cluster (even if there is no punctuation there), inhale a little bit as fast as you can, with the least amount of movement (like the small breath you take when you jump out of your seat), and then immediately move on to the next cluster. The goal is to make your inhalation almost inaudible on the recording.

For example, say, "The dewdrops in the morning (stealing breath) glisten on the green leaves (stealing breath)". Try it. Isn't it much easier than holding your breath to pronounce "The dewdrops in the morning glisten on the green leaves", and the sound is more jumpy and grainy? This is the rhythmic magic of the "chi kou". After practicing, this kind of "stealing air" will become instinctive, and your voice will naturally take on that kind of free-breathing, light and jumping "bird sense".

These three skills, the core of the two words: relaxation + control. Relaxation is a prerequisite, the throat is tight what skills are useless; control is slowly practiced out of the fine work, you have to rely on the ear to listen, rely on the feeling of tuning. I just started practicing that "microtremor", and the sound I recorded gave me goosebumps when I listened to it, which was too deliberate! But insist on recording a few minutes every day on the phone, playback, adjustments, a month down, the changes can be shocked themselves. Do not expect overnight, the sound of the change is silent. What equipment do not need, have a cell phone recording on the line, the key is that you have to start practicing, and stick to it. Try it, maybe one day you will be surprised by your own voice!

You may also want to ask about the yellow warbler dub.

Q: Will practicing this break my voice? It sounds a bit mysterious.

A: Not at all! At its core, it is relaxation and breath use that will take the load off your voice instead. Those practices that make your throat hurt are definitely wrong. Microtremor and positional lifting are all about finding the feeling in your natural state, not pushing it. Stop as soon as you feel your voice getting tired.

Q: How long does it take to hear results? I've been practicing for a week and I don't feel much change.

A: Sound habits take time to change. One week is too short! It took me almost three weeks of practicing before I suddenly got the hang of it and found the "voice from the center of my eyebrows" feeling. If you keep practicing for 10-15 minutes a day (focusing on listening and tuning), you can usually feel a significant difference in a month or so. Be patient, recording comparison is the best teacher.

Q: Do you have to imitate a yellow warbler? I just want to sound good.

A: Of course it is not necessary to imitate a bird! The yellow warbler is a metaphor here, representing a soulful, pleasing and vital vocal quality. These three techniques, when practiced, can generally enhance the infectiousness, clarity, and beauty of your voice, whether it's voice-over, everyday speech, or reading aloud.

Q: Do I need to buy a very expensive microphone?

A: The practicing stage is not necessary at all! The recording function that comes with your cell phone is clear enough for you to hear the details of your voice (microvibrations, breath, position). The key is to practice, the equipment is the icing on the cake, when you have a clear need (such as professional voice over) then consider upgrading.

What is the magic of McDull's voice?

To be honest, every time I hear McDull's soft and sticky voice, a little confused and a little aggravated, the corners of my mouth can't help but turn up. It's like freshly baked mochi, sticky and hot, with an innocent nasal tone, and always half a beat slower. Want to learn? Don't be intimidated, in fact, by grasping a few key points, ordinary people can also touch the door.

I've been doing voice acting for a few years now, and I've impersonated a lot of characters, and McDull is definitely one of the most "annoying" and funniest. It's not like those showy characters, but requires you to "take it easy" and even be a bit "clumsy" in terms of realism. At the center of it all is that "nasal resonance", but not the cold kind of congestion! You have to try to let the sound from the back of the nose, close to the palate that part of the gently out of the throat, do not force, a force will change the flavor.

Then there is the speed of speech and pauses. McDull always talks like he's thinking about his life, and will somehow get stuck in the middle of a sentence or drag out a certain syllable, such as "Mom~Mom~I want to eat~Chicken~Wrap~Paper~". Don't be afraid to slow down. The slower you deliberately slow down, the easier it is to find that kind of confused feeling. When I first started practicing, I felt like a sloth in a meeting even after I recorded it, but magically, when I put it on the screen, it sounded right.

Don't rush to record! Let's soften your voice first.

If you go straight to a hard imitation, your voice splits easily. I used to do some "softening" exercises first: I'd yawn a lot, feel my throat open up, and then softly pronounce "hmmm", sliding down from high to low like a sigh. Then try a "humming" sound, imagining that you are a child who is not awake and mumbling that you don't want to get out of bed. The goal is to relax your voice and find that lazy "core".

Focus on practicing "nasal words". Find a bunch of words with "m," "n," and "ng" and repeat them over and over again, such as "mommy." "brisket noodles," and "meng meng da." When you say them, press your fingers gently on the sides of your nose to feel the vibration. It's okay to exaggerate, the purpose is to make the muscles remember the position of the force. Once you've practiced it, you can quietly incorporate these nasal sounds into your entire sentence.

Cell phone + freeware, zero cost to start playing

Don't be dissuaded by professional equipment! I first recorded with my cell phone headphones for fun, and it wasn't too bad. The key is in the environment: find the smallest room you can, like in a closet (no kidding really!) Or wrap yourself and your phone in a thick quilt to maximize noise absorption. When recording, don't put your cell phone's microphone right in front of your mouth, but a little down towards your chin or chest to minimize the "poofing" sound of the spraying microphone.

Free AudacityThis old boy is a real treasure. After recording a dry sound, the first step is always "Noise Reduction": select a blank background sound (that is, the ambient sound you recorded when you don't speak), click "Effect" > "Noise Reduction" > "Capture Noise Sample", then select all the audio and reduce the noise again, the world is instantly much cleaner. Next, adjust the EQ (Equalizer): slightly lower the harsh high frequencies (such as above 8kHz), and appropriately raise the low-mid frequencies (200Hz-800Hz or so), which will make the sound sound thicker and closer to McDull's texture. Finally, add some "room reverb" (Reverb), choose "Room" or "Small Room" this kind of slight effect, the parameter is adjusted down! The purpose is to create a little sense of space, so that the sound is not so dry, like talking in the room, but do not make it into a KTV echo, that would be wearing.

Online Voice Changing Toys: For a quick feel or entertainment, try VoiceChanger.io This is an online tool. You can use it as soon as you open the webpage, select the "Child" or "Baby" type of effect, and then fine-tune the pitch (Pitch) to raise it a little bit (don't exceed +3), and sometimes you can get a little bit of the charm out of it. But remember, the effect of this thing is rather fake, only as a fun filter, you really have to rely on the real voice + fine-tuning later.

Don't just look like him. Find McDull's soul.

The technique is in place, but what's missing is the breath. McDull's charm lies in the "philosophy" of his simple world. Try to find some of McDull's lines. Don't be in a hurry to imitate his voice, but first understand why he said so. For example, the line "There are some things that don't exist, just don't exist, just don't work", that kind of faint loss and resignation can't come out just by pinching your voice. You have to feel a little helpless and a little funny in your heart, and it will naturally come out in your voice.

When recording, think of yourself as a child who is always slow to react, curious about the world and always hitting the wall. Keep your eyes free and your expression dull (no one can see you anyway), and the result will be more natural. It took me a lot of recording before I realized that the more I tried to "act" like a child, the less I looked like a child, but when I let my eyes go a little bit and talked to myself, it worked.

A little more advanced? Try these tricks.

Addicted to playing and want to get more refined? You can focus on the breath. McDull speaks with a weak breath, feeling breathless (but not really sickly). If you practice gently breathing through the abdomen to reduce the burden on your throat, your voice will be more relaxed. Look for "abdominal breathing" tutorials on the internet and follow along, it will help a lot in voice acting.

For equipment upgrades, a hundred-dollar USB condenser mic (such as the entry-level models from Descent and Boa) with a ten-dollar spray shield will provide a measurable improvement in sound quality. Software.Reaper Is also a powerful free DAW (recording software), more complex than Audacity, but more freedom, plug-in support is also good.

The most crucial? Listen to the original more often and compare your recordings over and over again. Where is it too sharp? Where is it not nasal enough? Where is the mood wrong? Only when your ears are practiced can your hands keep up. Don't be afraid to record hard, my hard disk can be filled with ten McDull's fishballs and noodles!

McDull Dubbing Frequently Asked Questions (FAQ)